Gardens Manufactured

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Created: 05/22/12
Last Edited: 11/11/12
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Description
The serene landscapes of my work are created though collaging strips of oil-stained paper onto natural birch panels. Tracts of ranch houses and other modern, architectural structures are carved directly into the wood and then stained with oil. This process creates permanent incisions into the panel itself. The juxtaposition of these two opposing forms and processes symbolize my exploration of the American Dream as it has evolved from my parents’ generation through mine.

The ranch house – the house I grew up in – represents the American “Baby Boomer” generation’s desire to own property and lead a traditional life in a suburban, familiar environment. Growing up here, I recognized that, in the name of stability, any deviations from the social norms were unaccepted – preventing people from expressing their individuality. People had to sacrifice desires to fit into the mold of the American Dream.

The landscapes in this work are presented with the same irony as the idyllic American Dream of my parents. Attracted to its beauty and breathtaking scenery, communities flocked to these landscapes, littering them and ruining the features that attracted them.
  • Mulhollnd Dr., 48" x 96", oil, paper on wood panel, 2012
  • The fictional landscapes depicted in my paintings are inspired by places I’ve been,which have been re-imagined as constructed, utopian environments. Through this,I aim to explore the ironic nature of modern development. SoAll of my work, whether it is a collage, photograph or installation,addresses the issue of how man alters nature. Growing up in suburban LongIsland I watched generic neighborhoods instantly grow out of leveled soil, inrows each identical to the next. Clusters of industrial parks and cul-de-sacsspread as far as one’s can see.

    People are attracted to certain locations for the beauty.Building houses on it and developing neighborhoods thus alters the landscapes thatwere attractive in the first place, bring a sense of irony to the situation.

  • Mulhollnd Dr. (detail), 48" x 96", oil, paper on wood panel, 2012
  • Asharoken, 48" x 96", oil, paper on wood panel, 2011
  • Levittown PA., 48" x 96", oil, paper on wood panel, 2012
  • East Egg, 48" x 96", oil, paper on wood panel, 2012
  • Glass House, 14" x 10", vintage magazine, oil, paper on wood panel, 2011
  • Office Lobby, 48" x 72", oil and paper on wood panel, 2012
  • Beachouse, 36" x 60", oil, paper on wood panel, 2010

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