Through technology, be it scapular saws, buildings or satellites, we augment ourselves, making the faculties of objects our own. In this sense, there is little distinction between the building and the plow. Both are considered so as to be accepting of us, bearing new prowess from collaboration.

Bernard Tschumi writes with conviction about the necessity to draw events, arguing that the standard modes of representation are inherently limited.

In the conflation of these two ideas, how might the imagining, one to one realization, and use of drawing machines, however absurd, impact the architectural considerations of the human body and representation of event? From a process repeated relentlessly: drawing as plan to object as manifestation to drawing as test, I will challenge the default structures of interaction and the accepted modes of representation.