. animated objects will get flatter / longer to emphasize their speed, momentum, weight and mass
  . this uses all forms of matter from a bouncy ball to a person

  . it is the typical action that an object moves in, which is also a principle where an animation can be ensured to move realistically rather than move in a straight path in a robotic manner

  . this provides the understanding that when an action starts, the amount of frames vary to the middle of an action
  . the faster the action, the less frames it has, and the slower the action, the more frames there are

  . refers to the technique of planning the action in the scene

  . straight ahead involves the process of drawing from the first frame onto the next consecutively until the action is finished

  . pose to pose is a planned out interval in which extreme key framing is a part of; this gives the animator an easier visual to work with from start to end

  . the use of effective placement of characters / objects on the set

  . this helps direct the audience's attention to the intended character / object

  . speed of an action and gives personality to an animation which is affected by the number of frames inserted 

  . a wilder way to express an action or a reaction which makes the animation unrealistic but provides an interesting spice to it

  . prepares the audience for what is about to happen in the animation, which can be assisted by a person or an object

  . gives the impression that the animation follows the laws of physics
  . is an overlapping action when an object moves / changes direction

  . applies the basic principles of drawing the form, weight and solidity of the object; gives the object a realistic view due to the three dimensional illusion that the object displays

  . includes the character's / object's development as an animated figure which catches the attention of the audience

  . adds onto the main action and strengthens an support the main action/s' idea and purpose