THE GRAVEYARD PROJECT - Mausoleum Sculpture No. 3
(For Souad - a good citizen from Morocco)
THE INDIVIDUAL GRID
Every stack must fit in its space, only given the same room as all the other stacks. Yet there are
differences in the amount of materials, the opportunities given in a short or long lifetime. Some materials are used in a well planned manner, almost implying a spiritual enlightenment. Others are stacked in a chaotic way, seemingly not given enough time and passion to create something loveable or at least sympathetic. There is room for desire and ambition, justice and injustice, anger and bliss, tragedy and joy, and though we are not all given the same amount of resources, we can try to make the best we can of what we have in the period of time that we are given.
Excerpt from text; `GRAVEYARD – a navigational Instrument?´ Sandy Thornland, Roskilde, Denmark 2014.
Courtesy Khalifa + Sturiale Projects.
Every stack must fit in its space, only given the same room as all the other stacks. Yet there are
differences in the amount of materials, the opportunities given in a short or long lifetime. Some materials are used in a well planned manner, almost implying a spiritual enlightenment. Others are stacked in a chaotic way, seemingly not given enough time and passion to create something loveable or at least sympathetic. There is room for desire and ambition, justice and injustice, anger and bliss, tragedy and joy, and though we are not all given the same amount of resources, we can try to make the best we can of what we have in the period of time that we are given.
Excerpt from text; `GRAVEYARD – a navigational Instrument?´ Sandy Thornland, Roskilde, Denmark 2014.
Courtesy Khalifa + Sturiale Projects.
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3
Mausoleum Sculpture Number 3 (detail)
Mausoleum Sculpture Number 3 (Detail)
Mausoleum Sculpture Number 3 (Detail).
