This Mostly Mozart music poster achieves Nilsson's concept of unity, typography, rhythm, and balance through its simplicity.  Symmetrical unity and balance are achieved through the positioning of the violins and text against the white background.  The poster's rhythm comes from the repetition of the violin and consistent use of the same font throughout the poster.

This Mostly Mozart promotional poster utilizes Nilsson's concepts of balance, unity, rhythm, and typography.  The poster achieves balance through the contrast in color between the lightness of the sheet music and the darker hues of the violin and stone.  Rhythm and unity are achieved through the feature of music notes and measures throughout both sections of the poster and typography is kept simple, with only a few variations in bevelling and glow between two fonts.