Props design & scenic painting

"Dead Man's Cellphone" by Sarah Ruhl 

San Francisco State University

Directed by Roy Conboy, set design by Bernadette Flynn

Photo credit: Alandra Heliman 

Scenic painting

"Translations" by Brian Friel

Directed by Bill Peters, set design by John B Wilson

Photo credit: Alandra Heliman

Scenic painting
"Translations" by Brian Friel
Directed by Bill Peters, set design by John B Wilson
Photo credit: Alandra Heliman

Scenic Painting

"The Learned Ladies" by Moliere

Directed by Delia Macdougall, set design by Bernadette Flynn

Photo credit: Alandra Heliman

 

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself
 

 

 

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
Directed by Barbara Damashek, set design by Bianca Giovinazzo & myself

Prop design
"The Wild Party" by Andrew Lippa 
Produced by the Ray of Light at Victoria Theatre, San Francisco
Directed by Jenn Bevard, set design Erik Ladue 

  Prop design
"The Wild Party" by Andrew Lippa 
Produced by the Ray of Light at Victoria Theatre, San Francisco
Directed by Jenn Bevard, set design Erik Ladue 

Inspiration Collage for Props design & scenic painting

"Dead Man's Cellphone" by Sarah Ruhl 

San Francisco State University

Directed by Roy Conboy, set design by Bernadette Flynn

Inspiration Collage for  "Buried Child" by Sam Shepard

San Francisco State University

Design in collaboration with Warren Moten for "Elf: The Musical" by Bob Martin & Thomas Meehan

Bay Area eTc Summer Musical Theater Performance Camp 2017

Design & Set painting in collaboration with Warren Moten for "Elf: The Musical" by Bob Martin & Thomas Meehan

Bay Area eTc Summer Musical Theater Performance Camp 2017

Set Design for "The Importance of Being Earnest" by Oscar Wilde

San Mateo Performing Arts Center 2017