Other RI works (Check our work still on Google since 2009) Click Here under the identity as "Realistic Imaginations." There were a lot of html websites years ago that were hosting the work on their sites as well. With the help of Zazzle and Flickr the views for the work were over 100,000. We had international purchases of the artwork as well. This is the original logo that was done at the end of my sophomore year in 2000 in a Computer Graphics class at SIUC BEFORE I was led to the Industrial Design program.
God gave it to me.
I didn't know what I wanted to major in at the time. I couldn't get into the architecture program, I was going to try to major in Finance like my late uncle.
However, God had other plans.
Here is the full library of over 2,000 assets Free for anyone
(non-commercial purposes only)
God gave it to me.
I didn't know what I wanted to major in at the time. I couldn't get into the architecture program, I was going to try to major in Finance like my late uncle.
However, God had other plans.
Here is the full library of over 2,000 assets Free for anyone
(non-commercial purposes only)
He is Risen (Story Below) (Done with Daz3D and Photoshop)
I created this artwork, "He is Risen," before the episodes "The Bible" and "Son of God" (featuring Diogo Morgado, middle picture) came out sequentially in 2013. (While I don't recall the exact date, I have provided Daz 3D asset proofs for verification.) The logo, seen at the bottom right of the above picture, was designed here in Chicago (after 2015) and serves as a secondary brand of the existing "OurVision" logo. (When I saw the episode, with Diogo flashing his hand, I couldn't believe the similarity.) What inspired me? It began with Caravaggio's piece, "The Incredulity of Saint Thomas" (far left). If you know the story, after Christ's resurrection (Luke 24:36–49; 1 John 1:1–4), Thomas doubted that Christ had risen from the dead. So Christ told Thomas, "Place your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe." This artwork reflected my own journey of faith and the skepticism I encountered from others regarding Christ's existence and His ongoing work in our lives. Even with evidence of the transformative power of grace (Galatians 5:21-23), many struggle to believe. Because we are looking for the extravagant miracles of the Old Testament and what Christ did. That was of God and His son.
How I developed it:
I saw this picture as a visual representation of the Gospel message that I wanted to share what God was saying to everyone. The gown worn by the figure is not the original "Wizard gown" I purchased; I had to modify it for M3 Michael in Daz Studio with textures. Both the gown and hair were downloaded for free. I did not know D-form, Maya, or 3D Studio Max to make realistic clothe. Because of the time, my family, work, and serving at church I chose to balance my time the best I could with reasonably timed projects.
I chose not to depict Christ's face to maintain a sense of universality and relatability across different cultures and peoples. His life was salvation for all (Matthew 1:21); he came to save us from sin, a universal condition that affects all humanity, regardless of ethnicity or background. Of the messianic prophecies of Christ (Isaiah 42,52-55), God's servant, was one of the most beautiful persons to ever exist in time. In history, Renaissance artists and contemporary artists have tried to give him an Arabasque look. Which appeals to women or imaginations of superhuman capabilities. If he was not "of anything we shall desire" meaning, his life of (equity, peace, benevolence, and reverence of God were first and holy) his appearance was intentional by God (Psalms 139:14) that no man should be drawn to him (as a human) more than God "in him" (Isa 7:14, Matt 1:23, Joh 1:14.)) Thats why God himself says, "Behold my son, "IN HIM" I am well pleased."
"Immanuel" was the next revelation God gave me, proof of this (below), around 2008 when my son came into the family.
While I lacked proficiency in Blender and realistic cloth folding techniques using modifiers (as evident in the neck area), I endeavored to create realism through textures and Photoshop. The glowing red skin was an artistic choice to depict the light penetrating through the skin, though it may not be immediately apparent. As a former Christian Art Teacher and unto the younger audiences and students, I strongly caution against the use of Daz3D and their library. While the software itself is exceptional, many assets promoted contain themes of violence, sorcery, explicit content, and strong sensuality, which may not be appropriate for all audiences.
After years of filtering through the library for work, because there were not many wholesome (family-friendly) assets to use, I ultimately chose to discontinue its use. I would invite any artist to do their study of why God is strongly against such topics (violence, sorcery, explicit content (horror, fear, death), and strong sensuality) as if, in love, He did not want to share it with you as well. Take up the study of World History, Scripture, Angels in the Bible, and statistics. See for yourself. Though it seems harmless to watch supernatural things on-screen (like Sephiroth (Final Fantasy) and idolize them; what does it promote, condone, or lead you to believe in the light of God's message of the gospel?
How I developed it:
I saw this picture as a visual representation of the Gospel message that I wanted to share what God was saying to everyone. The gown worn by the figure is not the original "Wizard gown" I purchased; I had to modify it for M3 Michael in Daz Studio with textures. Both the gown and hair were downloaded for free. I did not know D-form, Maya, or 3D Studio Max to make realistic clothe. Because of the time, my family, work, and serving at church I chose to balance my time the best I could with reasonably timed projects.
I chose not to depict Christ's face to maintain a sense of universality and relatability across different cultures and peoples. His life was salvation for all (Matthew 1:21); he came to save us from sin, a universal condition that affects all humanity, regardless of ethnicity or background. Of the messianic prophecies of Christ (Isaiah 42,52-55), God's servant, was one of the most beautiful persons to ever exist in time. In history, Renaissance artists and contemporary artists have tried to give him an Arabasque look. Which appeals to women or imaginations of superhuman capabilities. If he was not "of anything we shall desire" meaning, his life of (equity, peace, benevolence, and reverence of God were first and holy) his appearance was intentional by God (Psalms 139:14) that no man should be drawn to him (as a human) more than God "in him" (Isa 7:14, Matt 1:23, Joh 1:14.)) Thats why God himself says, "Behold my son, "IN HIM" I am well pleased."
"Immanuel" was the next revelation God gave me, proof of this (below), around 2008 when my son came into the family.
While I lacked proficiency in Blender and realistic cloth folding techniques using modifiers (as evident in the neck area), I endeavored to create realism through textures and Photoshop. The glowing red skin was an artistic choice to depict the light penetrating through the skin, though it may not be immediately apparent. As a former Christian Art Teacher and unto the younger audiences and students, I strongly caution against the use of Daz3D and their library. While the software itself is exceptional, many assets promoted contain themes of violence, sorcery, explicit content, and strong sensuality, which may not be appropriate for all audiences.
After years of filtering through the library for work, because there were not many wholesome (family-friendly) assets to use, I ultimately chose to discontinue its use. I would invite any artist to do their study of why God is strongly against such topics (violence, sorcery, explicit content (horror, fear, death), and strong sensuality) as if, in love, He did not want to share it with you as well. Take up the study of World History, Scripture, Angels in the Bible, and statistics. See for yourself. Though it seems harmless to watch supernatural things on-screen (like Sephiroth (Final Fantasy) and idolize them; what does it promote, condone, or lead you to believe in the light of God's message of the gospel?
If you (Parents or Students) have any further questions please feel free to ask: timmellw@icloud.com
It took years to learn about God's will regarding business and his Holy Work. I'm still learning. However, in many regards, the two have to be distinctly separated through Christ's revelation. His Church is a Holy Place of Worship. Then there are trades that we are given to make a living (Matthew 6:9-13 v.11) as the Apostle Paul did as a "tentmaker" (Acts 18:1-4.) Paul reasoned and witnessed in the marketplace (Acts 17:17.) However, his life was indebted to the spread of the gospel and the building of God's Church. (Rom 1:1) The work of the Gospel needs nothing from man for His glory. It's why Elisha commanded Gehazi to take nothing from Naaman after the miracle. Yet, it was his detriment and consequence to be afflicted in which by greed he did. Further? I came to understand why the Levites have only portioned the Lord as an inheritance and the other tribes received land. So, my distinct work is a lifetime to learn the difference as a Christian artist. If we were to look in Revelations (let's say 18) the perversion of trade, luxury, and lawlessness becomes the complete adversary of God and His family. (Rev 18:3-5) In which we are commanded to abstain and remove ourselves from its lifestyle of forsaking piety, restraint, love, peace, and the resurrected life. God is interested in our cost of living, our families, education, security, and fellowship (Matt 6:11) but again the call is for us to be witnesses. Not defeated or held captive by the desires, perversions, and forsaking of whom created us and the gifts we were given to reciprocate love.
If you are the artist that this testimony is for...take the light of the gospel and artwork even further by what God allows you to see. 400+ artworks of the complete library have been the witness of God's power after I committed to giving my talents back to Him in 2004.
The first Christian artwork I created, 'Birth,' in 2005, was nearly three years before my son was born and holds significant personal testimony. His mother and I were driving down Dallas Tollway from Frisco when I witnessed a vision of 'Water and Wine' before my eyes. While the biblical account involves stone pots, the wine glass symbolizes a contemporary interpretation of Christ's miracle. It is not intended to diminish the holiness of God in any way but rather offers a modern perspective on what such a miracle might look like today. I digitally painted the hand within a stock photograph in 2006. The series of artworks span from 2005 to 2007, showcasing my artistic growth and maturity. From 'When Two Agree,' (Dallas, TX 2006) which explores the concept of overcoming adversity together, to 'Baptism,' a representation of the revelation of the Resurrected Life and its present and prophetic power over adversity. 'Birth' was hand-painted using a Wacom tablet, inspired by Greg Martin. Then moved into Bryce 7, Daz3D, and Terragen. He is still, of my generation, one of the strongest visual artists and designers out there and his language inspired me the most. (alongside Greg, were Inspiks, Phillip Madden (my former co-worker), and more of my generation.)
