《alienation》
Director says: The scene is taken from a painting by American painter Edward Hopper. When I face Hopper's paintings, the alienation and loneliness of the characters in the paintings can always be empathized with, giving people a feeling of being extremely lonely despite being in a busy city and among the crowd. At the same time, Hopper's paintings reveal a kind of existential philosophy, which always makes people think about the meaning of the present existence and the source of the emptiness behind the painting. I am so lonely, but I still get solace from Hopper's paintings, which, like Bach's music, make people feel peaceful. So I created this 3D short film, which aims to explore the living dilemma of contemporary people and the alienated state of the spiritual world. I hope you can get some comfort from it. Godard once said: It is not where you quote, but the meaning of the extension.
About the character: There is no fancy setting, it does not come from the future, and it does not live in the past. It may be an ordinary person, an office worker, a social animal, or you or me. It's just that one night he decided to burn all his memories, put on a heavy metal helmet, and stop showing his true colors.
创作者说：场景取自美国画家爱德华霍普的画。当我面对霍普的画时，画中人物的疏离、落寞总能让人感同身受，给人一种虽身处闹市和人群之中却无比孤独的感觉。同时霍普的画中又透漏着一种存在主义哲学，总是让人不禁思考当下存在的意义以及画面背后虚无感的来源。孤独如是，但我依然从霍普的画中得到慰藉，如巴赫的音乐一般，让人内心平静。所以我创作了这支三维短片，旨在探寻当代人的生存困境和精神世界的疏离状态，希望你能从中得到些许慰藉。戈达尔曾说过：不在于从哪儿引用，而在于引申的意义。
关于角色：没有天花乱坠的设定，不来自未来，也不活在过去，或许就是一个普通人、上班族、社畜，或许是你，也是我。只是有一天夜里他决定烧毁所有的记忆，戴上沉重的金属头盔，不再以真面目示人。
Morning Sun
Chair Car
Intermission
Hotel room
Woman in the Sun
Room in New York
Excursion into Philosophy
Rooms By The Sea
Nighthawks
Process
