Queer homage to the 1912 piece The Last Hour by Florence Susan Harrison.
2022
Image description: A digital illustration of two fat white people embracing in a passionate kiss inside a cathedral with stone walls and columns and a wood planked floor. The person on the left is wearing a long, golden yellow dress and has long, flowing red hair, pale skin, and a prominent birthmark on her face over her eye and cheek. She has one hand pressed to the chest of the person she's kissing. The person on the right is a wheelchair user with a deep purple, short-backed, athletic chair with a silver sword attached to the back. The sword has a rose pink flower and green leaves engraved on the hilt. The person themself is wearing silver armor underneath a blue cloak with white fur at the neck, elbow, and calf, adapted for wearing in a chair while fighting. They have long, wavy brown hair, half tied back in a braid and a dusting of freckles all over their skin. They hug the person on the left, gripping the person's shoulder. In the background, there are two Norman style windows with colorful stained glass. Both designs show a femme person wearing a long pink dress with white wings and a golden halo, holding a piece of lavender that's pointed at the lovers. The person depicted on the left window is Black with black hair, and the other is white with blonde hair. The background of each window is set with the colors of the trans pride flag of pink, white, and blue. There are yellow and white stars all around each. At the bottom left corner is a small brown box with Jessi's name in it.
